In the context of the movie, “Don’t You (Forget About Me)” plays as a lover’s forget-me-not-but equally as plea to those newly discovered selves. Various - Flashdance Original Soundtrack - Lp Vinyl Record Various 3 Vinyl 13 offers from 9.21 Flashdance - Original Soundtrack Motion Picture Casablanca 1983, Vintage NM/VG+ 9 offers from 8. We watched the kids transform before our eyes, but we simply didn’t know if any of these newfound identities would stick for longer than a weekend. “Don’t You (Forget About Me)” was the perfect match for John Hughes’s gorgeous teen study The Breakfast Club. Can you honestly say you’ve never air-guitar-ed along to those opening two chords? Or yelped along to Jim Kerr’s outrageous “Hey! Hey! Hey! Heeeey!” chant that immediately follows? Yet part of the song’s tremendous power is the way it keeps pulling away just as its excitement peaks: “Will you walk away?” murmurs Kerr as the song faux-fades, before its final climax. There are some truly great songs on this list, but none that strike at your emotional jugular quite the way “Don’t You (Forget About Me)” does-right from the get-go. Written by Michael Chen, Brent DiCrescenzo, Andrew Frisicano, Sophie Harris, Oliver Keens, James Manning, Tristan Parker, Amy Plitt, Joshua Rothkopf, Hank Shteamer, Matthew Singer, Steve Smith, Sarah Theeboom and Kate Wertheimer. And in order to keep it strictly ’80s, we limited the list only to songs actually made in the decade – so no ‘Stand By Me’ or ‘Day-O’, as much as we’d want to include them. Flashdance Original Soundtrack Vinyl LP 33rpm 1983 Casablanca VGC. Here, though, we present the ultimate, canonical, indisputable ranking of the most radical songs from ’80s movies. But what are the absolute best songs from ’80s movies? Everyone has their personal favorites: the ones that instantly conjure memories (or at least fantasies) of spraying on Aquanet, throwing on some spandex and heading to the multiplex in your Delorean. Find album reviews, songs, credits and award information for Flashdance Original Soundtrack by Various Artists on AllMusic - 1983 - Giorgio Moroders.
Suffice to say, an ’80s movie can’t be considered a true ’80s movie if the soundtrack isn’t banging. Forget its a soundtrack and it still stands up as a great LP.
And shoot, don’t even get us started on Purple Rain. referencing Flashdance (Original Soundtrack From The Motion Picture) (LP, Album, 53 - Hauppauge Pressing) 422-811 492-1 M1 Every time i play this record im amazed at what a slick 80’s album it is. Or Michael J Fox skating through Hill Valley without Huey Lewis crooning about ‘The Power of Love’. Or Ghostbusters without Ray Parker Jr.’s theme song. ORIGINAL SOUNDTRACK Flashdance (1983 UK 10-track vinyl LP featuring music from the original film soundtrack, including songs by Irene Cara, Laura Branigan, Donna Summer, Kim Carnes and Michael Sembello. But try to imagine any John Hughes film without the new wave hits that accompanied them. Sure, the 1960s has a handful of songs still used to signal ‘ the ’60s, maaaan ’, and the 1990s produced some classic soundtracks. She sings: “I’m a woman who walks at the brink of life and death/ Who emptied my tears many moons ago” and then: “I’ve immersed my body in the river of vengeance.No decade combined music and movies quite like the ’80s.
Download on Amazon - Flashdance.What a Feeling Play on Apple Music - Flashdance.What a Feeling Download on iTunes - Flashdance.
The song was first used in the 1973 martial arts film Lady Snowblood, in which Kaji starred. Flashdance 1983 Soundtrack Vinyl LP Record Donna Summer Kim Carnes Laura Branigan VGC Play Tested FREE Ship oldnursestreasures 5 out of 5 stars (1,164) Sale Price 12.80 12.80 16.00 Original Price 16.00 (20 off. Songs and music featured in Flashdance Soundtrack. At the bloody conclusion, where O-Ren falls, RZA and Tarantino used Meiko Kaji’s “The Flower of Carnage”, the lyrics for which could have been written especially for The Bride. When it comes to the most crucial battle between O-Ren Ishii and The Bride at the end of the film, they first chose the disco flamenco intro from Santa Esmeralda’s Latin arrangement of “Don’t Let Me Be Misunderstood”. What is particularly brilliant is the alternation between non-diegetic sound and the silence that precedes (and is sustained during) some of the most tense action sequences.
The Wu-Tang Clan’s RZA worked with director Quentin Tarantino on the collection of music that would accompany Uma Thurman’s character The Bride on her gory quest for revenge.